Fragments, reflection, and the slow art of becoming.
Recent works focus on land as a site of connection to self. Native plants appear as subjects, materials, and imitations, grounding the work in specific environments while referencing cycles of care and growth. The illuminated greenhouse recurs as a symbolic structure within my installations. Drawing from Jungian psychology, where the house represents the self, the greenhouse becomes a space for inner work—a place where growth happens quietly, over time, through sustained attention.